GLOSARIO ABREVIATURAS USADAS EN LOS GUIONES EN INGLÉS

INT.:                    interior

EXT.:                   exterior

O.S.:                   off-screen

P.O.V.:                point of view shot

V.O.:                   voice-over

Angle on/Focus on:    emphasize an object or person

Cut to:                  go immediately to another person/setting

Pan to:                 go slowly to another person/setting without cutting the action

(a beat):                a brief pause   

Continuous:           action/music that flows from one setting to another

Isolate:                  a tight focus on an object/person                


 

 

BIBLIOGRAFÍA SOBRE GUIONES, DOBLAJE Y SUBTITULADO

Argentini, Paul. 1998. Elements of style for screenwriters. Los Angeles: Lone Eagle

Berman, R.A. (1988) Fade in: the screenwriting process, Stoneham, Ma.: Michael Wise Film Productions & Focal Press

Dries, J. (1995) Dubbing and subtitling: guidelines for production and distribution. Manchester: European Institute for the Media

Fodor, I. (1976) Film dubbing: phonetic, semiotic, esthetic and psychological aspects. Hamburg: Buske

Giddings, R., K. Selby y C Wensley (1990) Screening the novel. The theory and practice of literary dramatization. New York: St Martin’s Press.

Gottlieb, H. (1997) Subtitles, translation and idioms. Copehagen: University of Copenhagen

Herman, L. (1952) A practical manual of screen playwriting, Cleveland/ New York: The World Publishing Company

Horton, A. (1994) Writing the character centered screenplay, Berkeley: University of California Press

Howard, D. and E. Mabley (1993) The tools of screenwriting, New York: St Martin’s Press

Ivarson, J. (1992) Subtitling for the media: a handbook of an art. Stockholm: Transedit

Linde, Z. y N. Kay (1999) The semiotics of subtitling. Manchester: St Jerome Publishing

Orr, John y Colin Nicholson (eds) 1992. Cinema & fiction. New modes of adapting, 1950-1990. Edimburg: Edimburgh University Press.

Swain, D.V. and J.R. Swain (1988) Film Scriptwriting (2nd Ed.) Boston/London: Focal Press

Whitman C. (1992) Through the dubbing glass: the synchronization of American motion pictures into German, French and Spanish. Frankfurt: Lang


 

 

 TÍTULOS PELÍCULAS 1999

La siguiente lista incluye los títulos originales en inglés de las películas estrenadas en España durante 1999

 

10 THINGS I HATE ABOUT YOU (Gil Junger, 1999)

13TH WARRIOR, THE (John McTiernan, 1999)               

200 CIGARETTES (Risa Bramon García, 1999)        

54 (Mark Christopher, 1998)                                     

8MM (Joel Schumacher, 1999)                                     

ALL THE LITTLE ANIMALS (Jeremy Thomas, 1998)

AMERICAN HISTORY X (Tony Kaye, 1998)     

ANALIZE THIS (Harold Ramis, 1999)                     

APOSTLE, THE (Robert Duval, 1997)                     

ASTRONAUT’S WIFE, THE (Rand Ravich, 1999)       

AUSTIN POWERS: THE SPY WHO SHAGGED ME (Jay Roach, 1999)

BABE, PIG IN THE CITY (George Miller, 1998)

BABY GENIUSES (Bob Clark, 1999)                

BELOVED (Johnathan Demme, 1999)

BEOWULF (Graham Baker, 1999)                                     

BLAIR WITCH PROJECT, THE (Daniel Myrick y Eduardo Sánchez, 1999)

BLAST FROM THE PAST (Hugh Wilson, 1998)

 BREAKFAST OF CHAMPIONS (Alan Rudolph, 1999)

BRIDE OF CHUCKIE (Ronie Yu, 1998)              

BUENA VISTA SOCIAL CLUB (Wim Wenders, 1998)

BUG’S LIFE, A (John Lasseter, 1998)                     

BULWORTH (Warren Beaty, 1998)                     

BUTCHER BOY, THE (Neil Jordan, 1997)

CELEBRITY (Woody Allen, 1998)

CIVIL ACTION, A (Steven Zaillian, 1999)

COOKIE’S FORTUNE (Robert Altman, 1999)

CORRUPTOR, THE (James Foley, 1999)

CRAZY IN ALABAMA (Antonio Banderas, 1999)

CRUEL INTENTIONS (Roger Kumble, 1999)

DANCING AT LUGHNASA (Pat O’Connor, 1998)

DEAD MAN ON CAMPUS (Alan Cohn, 1999)

DEEP BLUE SEA (Renny Harlin, 1999)

DEEP END OF THE OCEAN, THE (Ulu Grosbard, 1999)

DISTURBING BEHAVIOR (David Nutter, 1998)

DIVORCING JACK (David Caffrey, 1998)

ED tv (Ron Howard, 1999)

ELECTION (Alexander Payne, 1999)

END OF EDEN (Larry Clark, 1998)

ENEMY OF THE STATE (Tony Scott, 1998)

ENTRAPMENT (Jon Amiel, 1999)

EVER AFTER (Andy Tennant, 1998)

EXISTENZ (David Cronenberg, 1999)

EYES WIDE SHUT (Stanley Kubric, 1999)       

FACULTY, THE (Robert Rodríguez, 1999) 

FEAR AND LOATHING IN LAS VEGAS (Terry Gilliam, 1998)

FIGHT CLUB (David Fincher, 1999)

FORCES OF NATURE (Bronwen Hughes, 1999)

FROM DUSK TILL DAWN 2: TEXAS BLOOD MONEY (Scott Spiegel, 1999)

GENERAL, THE (John Boorman, 1998)

GENERAL’S DAUGHTER, THE (Simon West, 1999)

GHOST DOG: THE WAY OF THE SAMURAI (Jim Harmusch, 1999)

GLORIA (Sidney Lumet, 1999)

GO (Doug Liman, 1999)

GODS AND MONSTERS (Bill Condon, 1998)

GOODBYE LOVER (Roland Joffé, 1998)

HAUNTING, THE (Jan de Bont, 1999)

HEAVY (James Mangold, 1995)

HILARY AND JACKIE (Anand Tucker, 1998)

HI-LO COUNTRY (Stephen Frears, 1998)

HUNGER, THE (Tony Scott, Jake Scott, Russel Mulcahy, 1997)

HURLYBURLY (Anthony Drazan, 1998)

I STILL KNOW WHAT YOU DID LAST SUMMER (Danny Cannon, 1998)

IDLE HANDS (Rodman Flender, 1999)

IN DREAMS (Neil Jordan, 1998)

INFERNO (John G. Avidsen, 1999)

INSPECTOR GADGET (David Kellog, 1999)

INSTINCT (Jon Turteltaub, 1999)

JOHN CARPENTER’S VAMPIRES (John Carpenter)

KING AND I, THE (Richard Rich, 1999)

KURT & COURTNEY (Nick Broomfield, 1998)

LAST DAYS OF DISCO, THE (Whit Stillman, 1999)

LIMBO (John Sayles, 1999)

LITTLE VOICE (Mark Herman, 1998)

LOVE IS THE DEVIL (John Maybury, 1998)

MATRIX, THE (Larry y Andy Wachowski, 1999)

MEET JOE BLACK (Martin Brest, 1998)

MESSAGE IN A BOTTLE (Luis Mandoki, 1999)

MIGHTY JOE YOUNG (Ron Underwood, 1998)

MR NICE GUY (Samo Hung, 1999)

MUMFORD (Lawrence Kasdan, 1999)

MUMMY, THE (Stephen Sommers, 1999)

MURDER OF CROWS, A (Rowdy Herrington, 1998)

NEVER BEEN KISSED (Raja Gosnell, 1999)

NEW ROSE HOTEL (Abel Ferrara, 1998)

NEXT STOP WONDERLAND (Brad Anderson, 1998)

NIGHT AT THE ROXBURY, A (John Fortenberry, 1998)

NIL BY MOUTH (Gary Oldman, 1997)

NINTH GATE, THE (Roman Polanski, 1999)

NO LOOKING BACK (Edward Burns, 1998)

NOTTING HILL (Roger Michell, 1999)

OFFICE KILLER (Cindy Sherman, 1997)

OFFICE SPACE (Mike Judge, 1999)

OLEANNA (David Mamet, 1994)

ONE TRUE THING (Karl Franklin, 1998)

ONLY THRILL, THE (Peter Masterson, 1997)

OPIUM WAR, THE (Xie Jin, 1997)

OPPOSITE OF SEX, THE (Don Roos, 1998)

ORGAZMO (Trey Parker, 1998)

OTHER SISTER, THE (Garry Marshall, 1999)

OUT-OF-TOWNERS, THE (Sam Weisman, 1999)     

PATCH ADAMS (Tom Shadyak, 1998, Nov. H. S. Adams

PAYBACK (Brian Helgeland, 1999)

PECKER (John Waters, 1998)

PI (Darren Aronofski, 1998)

PLESANTVILLE (Gary Ross, 1998)

PLUNKETT & MACLEANE (Jake Scott, 1999)

POODLE SPRINGS (Bob Rafelson, 1998)

PSYCHO (Gus van Sant, 1998)   

RAGE: CARRIE 2, THE (Katt Shea, 1999)     

RAVENOUS (Antonia Bird, 1999)                     

RESURRECTION (Russell Mulcahy, 1999)   

REVENANT (Richard Elfman, 1998)                     

ROUNDERS (John Dahl, 1998)                

RUGRATS MOVIE, THE (Norton Virgien e Igor Kovalyov, 1999)

RUNAWAY BRIDE (Garry Marshall, 1999)   

SHAKESPEARE IN LOVE (John Madden, 1998)

SHATTERED IMAGE (Raúl Ruíz, 1998)           

SIEGE (Edward Zwick, 1998)                                       

SIMON BIRCH (Mark Steven Johnson, 1998)     

SIMPLE PLAN, A (Sam Raimi, 1999)

SINCE YOU’VE BEEN GONE (David Schwimmer, 1998)

SOLDIER’S DAUGHTER NEVER CRIES, A (James Ivory, 1998)

STAR TREK: INSURRECTION (Johnathan Frakes, 1998)

STARS WARS: EPISODE I. THE PHANTON MENACE (George Lucas, 1999)

STEPMOM (Chris Columbus, 1998)                     

STIFF UPPER LIPS (Gary Sinyor, 1996)                       

STILL CRAZY (Brian Gibson, 1998)                     

SUE (Amos Koller, 1997)                                                       

SUMMER OF SAM (Spike Lee, 1999)                     

TALOS, THE MUMMY (Russel Mulcahey, 1998) 

TARZAN AND THE LOST CITY (Carl Schenkel, 1998)

TEA WITH MUSSOLINI (Franco Zeffirelli, 1999)     

TEACHING MRS TINGLE (Kevin Williamson, 1999)

TEN THINGS I HATE ABOUT YOU (Gil Junger, 1999)

THIN RED LINE, THE (Terrence Malick, 1998)

THOMAS CROWN AFFAIR, THE (John McTiernan, 1999)

TRUE CRIME (Clint Eastwood, 1999)

UNDER THE SUN (Colin Nutley, 1999)

UNIVERSAL SOLDIER: THE RETURN (Mic Rodgers, 1999)

URBAN LEGEND (Jamie Blanks, 1998)                     

VELVET GOLDMINE (Todd Haynes, 1998)     

VERY BAD THINGS (Peter Berg, 1998)           

VIRUS (John Bruno, 1999)

WAKING NED DEVINE (Kirk Jones, 1998)

WATERBOY, THE (Frank Coraci, 1998)

WHAT DREAMS MAY COME (Vincent Ward, 1998)

WILD THINGS (John McNaughton, 1998)                     

WILD WILD WEST (Barry Sonnenfeld, 1999)

WILLIAM SHAKESPEARE’S A MIDSUMMER NIGHT’S DREAM (Michael Hoffman, 1999)

WINSLOW BOY, THE (David Mamet, 1999)

WISHFUL THINKING (Adam Park, 1999)                              

WONDERLAND (Michael Winterbottom, 1999)

YEAR OF THE HORSE (Jim Jarmusch, 1997)

YOU’VE GOT MAIL (Nora Ephron, 1998)

YOUR FRIENDS & NEIGHBORS (Neil LaBute, 1998)


traducción guiones