GLOSARIO
ABREVIATURAS USADAS EN LOS GUIONES EN INGLÉS
INT.: interior
EXT.: exterior
O.S.: off-screen
P.O.V.: point of view shot
V.O.: voice-over
Angle on/Focus on: emphasize an object or person
Cut to: go immediately to another person/setting
Pan to: go slowly to another person/setting without cutting the action
(a beat): a brief pause
Continuous: action/music that flows from one setting to another
Isolate: a tight focus on an object/person
BIBLIOGRAFÍA SOBRE
GUIONES, DOBLAJE Y SUBTITULADO
Argentini,
Paul. 1998. Elements
of style for screenwriters.
Los Angeles: Lone
Eagle
Berman, R.A. (1988) Fade in: the screenwriting process, Stoneham, Ma.: Michael Wise Film Productions & Focal Press
Dries, J. (1995) Dubbing and subtitling: guidelines for production and distribution. Manchester: European Institute for the Media
Fodor,
I. (1976) Film dubbing: phonetic, semiotic, esthetic and psychological
aspects. Hamburg: Buske
Giddings, R., K. Selby y C Wensley (1990) Screening the novel. The theory and practice of literary dramatization. New York: St Martin’s Press.
Gottlieb,
H. (1997) Subtitles, translation and idioms. Copehagen: University of
Copenhagen
Herman,
L. (1952) A practical manual of screen playwriting, Cleveland/ New York:
The World Publishing Company
Horton,
A. (1994) Writing the character centered screenplay, Berkeley: University
of California Press
Howard, D. and E. Mabley (1993) The tools of screenwriting, New York: St Martin’s Press
Ivarson, J. (1992) Subtitling for the media: a handbook of an art. Stockholm: Transedit
Linde,
Z. y N. Kay (1999) The semiotics of subtitling. Manchester: St Jerome
Publishing
Orr,
John y Colin Nicholson (eds) 1992. Cinema & fiction. New modes of
adapting, 1950-1990. Edimburg: Edimburgh University Press.
Swain,
D.V. and J.R. Swain (1988) Film Scriptwriting (2nd Ed.)
Boston/London: Focal Press
Whitman C. (1992) Through the dubbing glass: the synchronization of American motion pictures into German, French and Spanish. Frankfurt: Lang
TÍTULOS
PELÍCULAS 1999
La siguiente lista incluye los títulos originales en inglés de las películas estrenadas en España durante 1999
10
THINGS I HATE ABOUT YOU (Gil Junger, 1999)
13TH
WARRIOR, THE (John McTiernan, 1999)
200
CIGARETTES (Risa Bramon García, 1999)
54
(Mark Christopher, 1998)
8MM (Joel Schumacher, 1999)
ALL
THE LITTLE ANIMALS (Jeremy Thomas, 1998)
AMERICAN
HISTORY X (Tony Kaye, 1998)
ANALIZE THIS (Harold Ramis, 1999)
APOSTLE,
THE (Robert Duval, 1997)
ASTRONAUT’S
WIFE, THE (Rand Ravich, 1999)
AUSTIN
POWERS: THE SPY WHO SHAGGED ME (Jay Roach, 1999)
BABE,
PIG IN THE CITY (George Miller, 1998)
BABY
GENIUSES (Bob Clark, 1999)
BELOVED
(Johnathan Demme, 1999)
BEOWULF
(Graham Baker, 1999)
BLAIR
WITCH PROJECT, THE (Daniel Myrick y Eduardo Sánchez, 1999)
BLAST
FROM THE PAST (Hugh Wilson, 1998)
BREAKFAST
OF CHAMPIONS (Alan Rudolph, 1999)
BRIDE OF CHUCKIE (Ronie Yu, 1998)
BUENA VISTA SOCIAL CLUB (Wim Wenders, 1998)
BUG’S
LIFE, A (John Lasseter, 1998)
BULWORTH
(Warren Beaty, 1998)
BUTCHER
BOY, THE (Neil Jordan, 1997)
CELEBRITY
(Woody Allen, 1998)
CIVIL
ACTION, A (Steven Zaillian, 1999)
COOKIE’S
FORTUNE (Robert Altman, 1999)
CORRUPTOR,
THE (James Foley, 1999)
CRAZY IN ALABAMA (Antonio Banderas, 1999)
CRUEL INTENTIONS (Roger Kumble, 1999)
DANCING AT LUGHNASA (Pat O’Connor, 1998)
DEAD
MAN ON CAMPUS (Alan Cohn, 1999)
DEEP
BLUE SEA (Renny Harlin, 1999)
DEEP
END OF THE OCEAN, THE (Ulu Grosbard, 1999)
DISTURBING
BEHAVIOR (David Nutter, 1998)
DIVORCING
JACK (David Caffrey, 1998)
ED
tv (Ron Howard, 1999)
ELECTION
(Alexander Payne, 1999)
END
OF EDEN (Larry Clark, 1998)
ENEMY
OF THE STATE (Tony Scott, 1998)
EVER
AFTER (Andy Tennant, 1998)
EXISTENZ
(David Cronenberg, 1999)
EYES
WIDE SHUT (Stanley Kubric, 1999)
FACULTY,
THE (Robert Rodríguez, 1999)
FEAR
AND LOATHING IN LAS VEGAS (Terry Gilliam, 1998)
FIGHT
CLUB (David Fincher, 1999)
FORCES
OF NATURE (Bronwen Hughes, 1999)
FROM
DUSK TILL DAWN 2: TEXAS BLOOD MONEY (Scott Spiegel, 1999)
GENERAL,
THE (John Boorman, 1998)
GENERAL’S
DAUGHTER, THE (Simon West, 1999)
GHOST
DOG: THE WAY OF THE SAMURAI (Jim Harmusch, 1999)
GLORIA
(Sidney Lumet, 1999)
GO
(Doug Liman, 1999)
GODS
AND MONSTERS (Bill Condon, 1998)
GOODBYE
LOVER (Roland Joffé, 1998)
HAUNTING,
THE (Jan de Bont, 1999)
HEAVY
(James Mangold, 1995)
HILARY
AND JACKIE (Anand Tucker, 1998)
HI-LO
COUNTRY (Stephen Frears, 1998)
HUNGER,
THE (Tony Scott, Jake Scott, Russel Mulcahy, 1997)
HURLYBURLY
(Anthony Drazan, 1998)
I
STILL KNOW WHAT YOU DID LAST SUMMER (Danny Cannon, 1998)
IDLE
HANDS (Rodman Flender, 1999)
IN
DREAMS (Neil Jordan, 1998)
INFERNO
(John G. Avidsen, 1999)
INSPECTOR
GADGET (David Kellog, 1999)
INSTINCT
(Jon Turteltaub, 1999)
JOHN
CARPENTER’S VAMPIRES (John Carpenter)
KING
AND I, THE (Richard Rich, 1999)
KURT
& COURTNEY (Nick Broomfield, 1998)
LAST
DAYS OF DISCO, THE (Whit Stillman, 1999)
LIMBO
(John Sayles, 1999)
LITTLE
VOICE (Mark Herman, 1998)
LOVE
IS THE DEVIL (John Maybury, 1998)
MATRIX,
THE (Larry y Andy Wachowski, 1999)
MEET
JOE BLACK (Martin Brest, 1998)
MESSAGE
IN A BOTTLE (Luis Mandoki, 1999)
MIGHTY
JOE YOUNG (Ron Underwood, 1998)
MR
NICE GUY (Samo Hung, 1999)
MUMFORD
(Lawrence Kasdan, 1999)
MUMMY,
THE (Stephen Sommers, 1999)
MURDER
OF CROWS, A (Rowdy Herrington, 1998)
NEVER
BEEN KISSED (Raja Gosnell, 1999)
NEW
ROSE HOTEL (Abel Ferrara, 1998)
NEXT
STOP WONDERLAND (Brad Anderson, 1998)
NIGHT
AT THE ROXBURY, A (John Fortenberry, 1998)
NIL
BY MOUTH (Gary Oldman, 1997)
NINTH GATE, THE (Roman Polanski, 1999)
NO
LOOKING BACK (Edward Burns, 1998)
NOTTING
HILL (Roger Michell, 1999)
OFFICE
KILLER (Cindy Sherman, 1997)
OFFICE
SPACE (Mike Judge, 1999)
OLEANNA
(David Mamet, 1994)
ONE
TRUE THING (Karl Franklin, 1998)
ONLY
THRILL, THE (Peter Masterson, 1997)
OPIUM
WAR, THE (Xie Jin, 1997)
OPPOSITE
OF SEX, THE (Don Roos, 1998)
ORGAZMO
(Trey Parker, 1998)
OTHER
SISTER, THE (Garry Marshall, 1999)
OUT-OF-TOWNERS,
THE (Sam Weisman, 1999)
PATCH
ADAMS (Tom Shadyak, 1998, Nov. H. S. Adams
PAYBACK
(Brian Helgeland, 1999)
PECKER
(John Waters, 1998)
PI
(Darren Aronofski, 1998)
PLESANTVILLE
(Gary Ross, 1998)
PLUNKETT
& MACLEANE (Jake Scott, 1999)
POODLE
SPRINGS (Bob Rafelson, 1998)
PSYCHO
(Gus van Sant, 1998)
RAGE:
CARRIE 2, THE (Katt Shea, 1999)
RAVENOUS
(Antonia Bird, 1999)
RESURRECTION
(Russell Mulcahy, 1999)
REVENANT
(Richard Elfman, 1998)
ROUNDERS
(John Dahl, 1998)
RUGRATS
MOVIE, THE (Norton Virgien e Igor Kovalyov, 1999)
RUNAWAY
BRIDE (Garry Marshall, 1999)
SHAKESPEARE
IN LOVE (John Madden, 1998)
SHATTERED IMAGE (Raúl Ruíz, 1998)
SIEGE (Edward Zwick, 1998)
SIMON
BIRCH (Mark Steven Johnson, 1998)
SIMPLE
PLAN, A (Sam Raimi, 1999)
SINCE
YOU’VE BEEN GONE (David Schwimmer, 1998)
SOLDIER’S DAUGHTER NEVER CRIES, A (James Ivory, 1998)
STAR
TREK: INSURRECTION (Johnathan Frakes, 1998)
STARS
WARS: EPISODE I. THE PHANTON MENACE (George Lucas, 1999)
STEPMOM (Chris Columbus, 1998)
STIFF UPPER LIPS (Gary Sinyor, 1996)
STILL CRAZY (Brian Gibson, 1998)
SUE (Amos Koller, 1997)
SUMMER
OF SAM (Spike Lee, 1999)
TALOS, THE MUMMY (Russel Mulcahey, 1998)
TARZAN
AND THE LOST CITY (Carl Schenkel, 1998)
TEA WITH MUSSOLINI (Franco Zeffirelli, 1999)
TEACHING
MRS TINGLE (Kevin Williamson, 1999)
TEN
THINGS I HATE ABOUT YOU (Gil Junger, 1999)
THIN
RED LINE, THE (Terrence Malick, 1998)
THOMAS
CROWN AFFAIR, THE (John McTiernan, 1999)
TRUE
CRIME (Clint Eastwood, 1999)
UNDER
THE SUN (Colin Nutley, 1999)
UNIVERSAL
SOLDIER: THE RETURN (Mic Rodgers, 1999)
URBAN
LEGEND (Jamie Blanks, 1998)
VELVET
GOLDMINE (Todd Haynes, 1998)
VERY
BAD THINGS (Peter Berg, 1998)
VIRUS
(John Bruno, 1999)
WAKING
NED DEVINE (Kirk Jones, 1998)
WATERBOY,
THE (Frank Coraci, 1998)
WHAT
DREAMS MAY COME (Vincent Ward, 1998)
WILD
THINGS (John McNaughton, 1998)
WILD
WILD WEST (Barry Sonnenfeld, 1999)
WILLIAM SHAKESPEARE’S A MIDSUMMER NIGHT’S DREAM (Michael Hoffman, 1999)
WINSLOW
BOY, THE (David Mamet, 1999)
WISHFUL
THINKING (Adam Park, 1999)
WONDERLAND
(Michael Winterbottom, 1999)
YEAR
OF THE HORSE (Jim Jarmusch, 1997)
YOU’VE
GOT MAIL (Nora Ephron, 1998)
YOUR
FRIENDS & NEIGHBORS (Neil LaBute, 1998)